Shooting
& Posting Introduction
For a Digital to
Film Output or Digital Projection Master
By Digital Film Specialist,
James D. Tocher |
Video was meant to be seen
on relatively small monitors. Whether HD, NTSC or PAL, these formats
were not originally designed to be seen on huge theater screens.
That means a lot of what you think you see won't be seen you until
you blow it up 25 or even 50 feet wide…it’s then you
may suddenly see things you never knew were there, like video noise
or detail artifacts…
Digital Film Group has years of experience in taking digital footage
from the small screen dreams to big screen reality.Here we compile a list of video issues that can get you thinking about
what to watch out and potentially save you money while increasing
the quality of whatever source you started from…
A small disclaimer: Since every production, camera and format
has it's specific issues, this list is not meant to be a substitute
for pre-production planning, testing, and consultation with our
Digital Film Specialists.
For more in-depth information: Focus, Black
Levels, Video gain,
& Camera filters |
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