Digital Film Central is now SKYLAB.
SKYLAB has discovered a new world of post-production for complex, VFX-heavy films. Our incredibly customized workflows weave VFX, dailies, editorial and creative color grading seamlessly together in time and space, on parallel tracks, throughout the finishing process. This introduces enormous efficiencies, and gives everyone on the production more room to breathe.
SKYLAB has innovated a highly adaptable film-finishing platform that saves time and money, and opens up more creative control for the entire team - all within highly-secure shared storage networks that we manage for you. And it all unfolds in a state-of-the-art facility, so your project moves smoothly from set to big screen in premium-quality, theatrical and broadcast viewing environments.
We’ve brought finishing for VFX-heavy films into orbit. Welcome aboard.
Space-Age workflows. Sky-high security. Sci-fi creativity.
SKYLAB occupies the highest orbit of film finishing. We’re obsessed with creative and technical excellence - and above all, unforgettable audience experiences - for every film that moves through our galaxy.
SKYLAB offers your production a new height of creative control, leading to the best possible final product. Through powerful workflows, constantly advancing technical expertise, and best-in-class production viewing environments, we can help your production achieve a level of efficiency you’ve likely never dreamed of.
The key is integration across time and space. We get involved at the beginning of your production process, designing a custom, integrated workflow that melds dailies, VFX, editorial and DI into connected streams of unified color-data - contained in the highest quality EXR format, and executed entirely in the widest-gamut ACES color space - at every stage.
Creative color decisions at the grading stage are absolutely crucial to the final look and feel of your movie. But a typical DI process often forces you to make rushed color decisions, compressed and frantic near the end of a hectic delivery schedule.
Color is critical. Decisions around it should be able to percolate and evolve just like every other creative stage in post, like editing, or sound design or mixing. And with SKYLAB, it can.
SKYLAB, Where Finishing Starts at the Beginning.
Our Services:
The People of SKYLAB

Our passion is developing innovative workflows that achieve spectacular results.
With each project we aim to strike a balance between the technical and the creative aspects. We strive to elevate the creative process and celebrate technological advancements. Here is a look at some of the projects we have had the fortune of working on.
Chappie
(2015)
Sony Pictures Entertainment
Director: Neill Blomkamp | DP: Trent Opaloch
Shot on: RED EPIC | Finish: 4K | Color: ACES
Colorist: Andrea Chlebak
Elysium
(2013)
Sony Pictures Entertainment
Director: Neill Blomkamp | DP: Trent Opaloch
Shot on: RED EPIC | Finish: 4K | Color: ACES
Colorist: Andrea Chlebak
Read more in our Case Study ‘Inside The Elysium DI’ …
The Good Son
St Sophia, LLC
Director: Jesse James Miller | DP: Ian Kerr CSC
Colorist: Andrea Chlebak | Shot On: RED ONE, Mixed Archival
Becoming Redwood
StoryLab Productions
Director: Jesse James Miller | Cinematographer: David Crone
Colorist: Andrea Chlebak | Shot on: RED ONE (MX)
In Their Skin
Sepia Films
Director: Jeremy Power Regimbal | Cinematographer: Norm Li CSC
Colorist: Andrea Chlebak | Shot on: RED ONE (MX)
Arctic Air
CBC / Omni Film Productions
Executive Producer/Director: Gary Harvey | DP: Bruce Worrall CSC
Colorist: Andrea Chlebak | Shot on: RED ONE (MX)
Endgame
Showcase Television | Thunderbird Films
Producing Director: David Frazee | Cinematographer: Mathias Herndl
Colorist: Andrea Chlebak | Shot on: RED ONE (MX)
Facing Ali
Lionsgate Entertainment | Network Films | Spike TV
Director: Pete McCormack | Cinematographer: Ian Kerr CSC
Colorist: Andrea Chlebak | Shot on: RED ONE, Mixed Archival
Tucker & Dale vs Evil
Magnet Releasing | Filmaka | Voltage Pictures
Director: Eli Craig | DP: David Geddes ASC, CSC
Colorist: Andrea Chlebak | Shot on: RED ONE
The Whale: Saving Luna
Mountainside Films
Directors: Michael Parfit, Suzanne Chisolm
Colorist: Andrea Chlebak
Freezer Burn: The Invasion of Laxdale
Panacea Entertainment
Director: Grant Harvey | DP: John Spooner
Colorist: Andrea Chlebak | Shot On: Panavision Genesis
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